Escenificar la ausenciaShoah, de Claude Lanzmann (1985)

  1. Ignacio Ramos Gay 1
  1. 1 Universitat de València, España
Revista:
L'Atalante: revista de estudios cinematográficos

ISSN: 1885-3730

Año de publicación: 2016

Número: 22

Páginas: 45-54

Tipo: Artículo

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Otras publicaciones en: L'Atalante: revista de estudios cinematográficos

Resumen

The aim of this paper is to explore the elements of theatricality employed in Claude Lanzmann’s film, Shoah (1985), so as to stage the concept of absence. First, I will analyse the performative and discursive procedures used in order to resuscitate the witness’ past experience. Secondly, I will examine the director’s symbolism of concentrationary time and space as agents enabling the visualization of the trauma.

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