Escenificar la ausenciaShoah, de Claude Lanzmann (1985)

  1. Ignacio Ramos Gay 1
  1. 1 Universitat de València, España
Aldizkaria:
L'Atalante: revista de estudios cinematográficos

ISSN: 1885-3730

Argitalpen urtea: 2016

Zenbakia: 22

Orrialdeak: 45-54

Mota: Artikulua

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Laburpena

The aim of this paper is to explore the elements of theatricality employed in Claude Lanzmann’s film, Shoah (1985), so as to stage the concept of absence. First, I will analyse the performative and discursive procedures used in order to resuscitate the witness’ past experience. Secondly, I will examine the director’s symbolism of concentrationary time and space as agents enabling the visualization of the trauma.

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