Escenificar la ausenciaShoah, de Claude Lanzmann (1985)

  1. Ignacio Ramos Gay 1
  1. 1 Universitat de València, España
Journal:
L'Atalante: revista de estudios cinematográficos

ISSN: 1885-3730

Year of publication: 2016

Issue: 22

Pages: 45-54

Type: Article

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Abstract

The aim of this paper is to explore the elements of theatricality employed in Claude Lanzmann’s film, Shoah (1985), so as to stage the concept of absence. First, I will analyse the performative and discursive procedures used in order to resuscitate the witness’ past experience. Secondly, I will examine the director’s symbolism of concentrationary time and space as agents enabling the visualization of the trauma.

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