Les discours de la f(F)rancophonie au XXIe siecleenjeux culturels, ideologiques et politiques
- María del Mar García López Directeur/trice
- Xavier Garnier Directeur/trice
Université de défendre: Universitat Autònoma de Barcelona
Fecha de defensa: 23 juin 2014
- Papa Samba Diop President
- Odile Cazenave Secrétaire
- Landry-Wilfrid Miampika Rapporteur
- María del Mar García López Rapporteur
- Josefina Bueno Alonso Rapporteur
- Xavier Garnier Rapporteur
Type: Thèses
Résumé
The doctoral thesis carried out is based on francophonie discourse in the XXIth century, both from and about francophonie. This is a period in which official Francophonie arguments are based on the French republican model, as well as the values associated with it, which is obliged to renew itself within the present context whereby cultural identities are torn between globalisation and ethnicisation. For the purposes of the present research the term f(F)rancophonie shall be defined as the weaving of problematic and contradictory links, which are sources of symbolic violence, between francophonie, in terms of speakers as a whole, and institutional Francophonie. f(F)rancophonie discourse reveals the existence of political manipulation of language and culture through different ideological models of society. The multidisciplinary approach of the present investigation has enabled the updating of the problematical extension of cultural imperialism at work in the construction of French influence policy (soft power), notably thanks to discourse analysis and postcolonial thought theoretical tools. Indeed the francocentered institutional system provides pragmatic power to the Francophonie discursive strategy and to its rhetoric of struggle, influence and universalism against the anglo-american anti-model. At times the new cultural diversity paradigm struggles to conceal the conception of a French language which is the bearer of universalisation of one single cultural and national identity. The comment of language and literature through institutions sheds light on literary f(F)rancophonie discourse within which the francophone writer often appears obliged to compose with the colonial heritage of the French language which is haloed with prestige. Lastly the present analysis of francophone literary theories and studies examines the positions of writers in view of the interrelation between the French center and its peripheries.