La destrucción del mito resistencialista en la mode rétroel caso de Patrick Modiano

  1. Álvarez Gavela, Ariadna 1
  1. 1 Universidad Complutense de Madrid
    info

    Universidad Complutense de Madrid

    Madrid, España

    ROR 02p0gd045

Journal:
Revista de filología románica
  1. Diz Villanueva, Alba (coord.)
  2. Guijarro Lasheras, Rodrigo (coord.)
  3. Rivero Grandoso, Javier (coord.)

ISSN: 0212-999X,  1988-2815

Year of publication: 2016

Issue Title: Nº Especial: Reflejos de la Segunda Guerra Mundial en la literatura y en las artes

Issue: 33

Pages: 23-33

Type: Article

DOI: 10.5209/RFRM.55833 DIALNET GOOGLE SCHOLAR lock_openOpen access editor

More publications in: Revista de filología románica

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Abstract

During the seventies in France a new cultural movement emerged vigorously, formed by a number of authors and filmmakers who would see their creations grouped together under the label of mode rétro later on. This «retro style» brought about a considerable shift in the relation of the French with their immediate past, particularly the Nazi occupation. It guaranteed the return of all those representations of events that had been suppressed by the official discourse, itself completely paralyzed in its attempt to sustain a myth about the war years that to the generation of the early sixties already seemed an unsustainable construction. This way, a sort of crusade for the truth of these black years takes place; a crusade Patrick Modiano contributed very notably to with his first literary works.

Bibliographic References

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Data source: Dialnet