La huella en la ventana. Categorías fenoménico-cognitivas de lo transparente y de lo opaco en la narrativael caso de Antoine Volodine

  1. Lorenzo Piera Martín 1
  1. 1 Universidad de Salamanca
    info

    Universidad de Salamanca

    Salamanca, España

    ROR https://ror.org/02f40zc51

Revista:
Tropelías: Revista de teoría de la literatura y literatura comparada

ISSN: 1132-2373,  2255-5463

Any de publicació: 2022

Número: 38

Pàgines: 157-182

Tipus: Article

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Resum

The experience of immersion in the real world and in the textual world are comparable in that both require that the medium through which the world unfolds remains hidden from our attention. Phenomenology and cognitive science thus speak of a transparent experience, as opposed to the opaque experience implied by awareness of the medium. In this article we study the implications of such processes in relation to the experience of reading the work of the French-Russian writer Antoine Volodine, which the author himself calls “post-exotism”. We argue that in post-exotic literature the multiplication of counter-immersive procedures constitutes a true aesthetics of opacity, understood as an aesthetics of the access to textual worlds, and we will analyze what functions this aesthetics plays in his literary project as a whole.

Fuente de los datos: Dialnet