"Le Tour du monde en vélo d’appartement" d’Eric Tournaire et de Fabien PalmariAnalyse des sujets énonciatifs

Resumen

In this article, we will take a closer look at the travel diary, Le Tour du monde en vélo d’appartement, by Eric Tournaire and Fabien Palmari, from an enunciation point of view. The particularity of this travel diary, in which no travel actually occurs, is based on an enunciation and a graphiation, which involves enunciative references which become very complex. It is this complexity that we will try to unravel. We will try to analyze this complexity by first establishing the characteristics of the travel diary compared to the comic genre, and then delving deeper into one of the characteristics of this type of text-image relationship, that is, a certain type of autobiography. Then, we will be in a position to study the traces of the enunciation that emerges from the text and the image that are not simply those of the two authors-narrator and tracer (or grapher), as well as those that have contributed to the elaboration of this travel diary by sending objects that contribute to the story of this fictional journey.