L'art rupestre préhistorique dans la bande dessinée comme ressource didactiquele rôle de I'oeuvre graphique d'Éric Le Brun

  1. Isabelle Moreels
  2. José Julio García Arranz
Liburua:
Education, training and communication in cultural management of landscapes: Transdisciplinary contributions to integrated cultural landscape management
  1. Luiz Oosterbeek (ed. lit.)
  2. Renaldas Gudauskas (ed. lit.)
  3. Laurent Caron (ed. lit.)

Argitaletxea: Instituto Terra e Memória

ISBN: 978-989-99131-4-1,  978-989-99131-4-1

Argitalpen urtea: 2017

Alea: 1

Orrialdeak: 169-186

Mota: Liburuko kapitulua

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Laburpena

Since the 1990s, prehistoric cave art has evolved from being considered a merely decorative or environmental element in cartoons, usually included in fantasy-based graphic stories in an anecdotal manner, to becoming a substantial component of the vital and symbolic activity of our ancestors. Acquiring an increasing archaeological precision, more attention is currently being paid to aspects such as the techniques used for its creation and the potential meanings of the prehistoric writings. Today, it tends to be represented by more precise and well-adapted figures. And so, at this point, the cartoon begins to fully develop its potential as an educational resource, allowing it to bring prehistoric art into the school and university in a more appropriate manner. As an example of this process, we consider the major contributions in this area that are provided by the graphic works of French cartoonist Éric Le Brun

Datuen iturria: Dialnet