Parole et silence pour l’expression de l’éthique dans La mort est mon métier de Robert Merle

  1. María Badiola Dorronsoro 1
  1. 1 Universidad de Alicante. España
Aldizkaria:
Çédille: Revista de Estudios Franceses

ISSN: 1699-4949

Argitalpen urtea: 2015

Zenbakien izenburua: Le silence dans l'écriture de la Shoah

Zenbakia: 5

Orrialdeak: 43-64

Mota: Artikulua

DOI: 10.21071/CED.V5I.10595 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

Beste argitalpen batzuk: Çédille: Revista de Estudios Franceses

Laburpena

Thanks to a daring and original exercise of focusing the narrative in first person, Robert Merle makes a historical Nazi the hero and narrator of his novel La mort est mon métier. Adding to this fact a careful choice of what is said and what is omitted, the author shows that the “final solution to the Jewish problem” by Hitler was not a massacre organized by some bloodthirsty or revengeful individuals, but a «hard task» accomplished by a group of dehumanized beings for whom the honor –and morals– consisted of total dedication to blind obe¬dience to their superiors

Erreferentzia bibliografikoak

  • ARENDT, Hannah (2005): Sobre la violencia. Madrid, Alianza Editorial (Ciencia Política).
  • ARENDT, Hannah (2006): Eichmann en Jerusalén. Barcelona, Debolsillo.
  • BAUMAN, Zygmunt (1989): Modernidad y Holocausto. Madrid, Sequitur.
  • DELSOL, Chan (2006): «L’histoire et le vacarme de la mémoire», in S. Tzitzis (dir.), La mémoire, entre silence et oubli. Laval, Les Presses de l’Université de Laval, 459-465.
  • MERLE, Pierre (2013): Robert Merle. Une vie de passions. Paris, Éditions de Fallois.
  • MERLE, Robert (1990): La Mort est mon métier. Paris, Gallimard (Folio).
  • STEINER, George (2006): Lenguaje y silencio. Barcelona, Editorial Gedisa.