Movimiento primero, movimiento últimoorganización corporal del sentido en la lectura literaria

  1. Salgado Ivanich, Candela 1
  1. 1 Universidad de Salamanca
    info

    Universidad de Salamanca

    Salamanca, España

    ROR https://ror.org/02f40zc51

Revista:
Archivum: Revista de la Facultad de Filosofía y Letras
  1. Lada Ferreras, Ulpiano (coord.)
  2. Río Castañeda, Laro del (coord.)
  3. Sánchez Ungidos, Guillermo (coord.)

ISSN: 0570-7218

Any de publicació: 2020

Títol de l'exemplar: Transversales. Teoría literaria, ciencia, filosofía.

Número: 70

Pàgines: 255-267

Tipus: Article

DOI: 10.17811/ARC.70.1.2020.255-267 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

Altres publicacions en: Archivum: Revista de la Facultad de Filosofía y Letras

Objectius de Desenvolupament Sostenible

Resum

Traditionally, alluding to literary knowledge implied limiting specific characteristics of a work or establishing different methodologies in order to approach it and interpret it. Recently, thanks to new perspectives like the cognitive poetics, literary studies included among their interest the cognitive processes that impregnate the discipline in multiple senses. The principal aim of the text is to collect, with the help of cognitive sciences and neuroscience, some of the current cues about the literary reading phenomenon. Reading and understanding a text are embodied expressions that, consequently, are nourished by the corporal and interactive experience of the reader. Although an important number of the studies focused on the figure of the reader that favours emotion, the objective here is to go back to a previous state when sensorimotor mechanisms are called. Reading becomes an exercise of simulation where a resonance between the text and the embodied memory (motor, tactile and interoceptive sensation) of the reader is produced. 

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