Lenguaje poético y extrañamiento cognitivo

  1. Gamoneda Lanza, Amelia 1
  1. 1 Universidad de Salamanca
    info

    Universidad de Salamanca

    Salamanca, España

    ROR https://ror.org/02f40zc51

Journal:
Archivum: Revista de la Facultad de Filosofía y Letras
  1. Lada Ferreras, Ulpiano (coord.)
  2. Río Castañeda, Laro del (coord.)
  3. Sánchez Ungidos, Guillermo (coord.)

ISSN: 0570-7218

Year of publication: 2020

Issue Title: Transversales. Teoría literaria, ciencia, filosofía.

Issue: 70

Pages: 81-94

Type: Article

DOI: 10.17811/ARC.70.1.2020.81-94 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

More publications in: Archivum: Revista de la Facultad de Filosofía y Letras

Sustainable development goals

Abstract

Shklovsky envisioned estrangement in art as the effect of an artifice that allows the experience of things as they are perceived and not as they are known. But perception —from the cognitive point of view— is a complex phenomenon that encompasses more basic operations that can also offer ´defamiliarization´ by appearing —even fleetingly— in consciousness. The hypothesis presented by this paper is that modern poetry registers these processes with singular persistence and transforms them into an index of poeticity. Thus, modes of perceptual estrangement that occur both in the material nature (acoustic and visual) and in the mental nature of poetic language will be addressed. This exploration will be carried out from the assumptions of embodied cognition and with the help of concepts drawn from cognitive neuroscience.

Bibliographic References

  • BENVENISTE, E. (1966 [1951]) “La notion de rythme dans son expression linguistique”, en Problèmes de linguistique générale, París, Gallimard.
  • DEHAENE, S. (2007) Les neurones de la lecture, París, Odile Jacob.
  • FOUCAULT, M. (1966) Les mots et les choses, París, Gallimard.
  • GELMAN, J. (2017) Amaramara, Madrid, Visor.
  • JACKENDOFF, R. (1998) La conciencia y la mente computacional, Madrid, Visor.
  • LAKOFF, G. y JOHNSON, M. (2004 [1986]) Metáforas de la vida cotidiana, Madrid, Cátedra.
  • MARINA, J.-A. (1993) Teoría de la inteligencia creadora, Barcelona, Anagrama.
  • OLIVIER, G. (2012) La cognition gestuelle. De l’écho à l’ego, Grenoble, Presses Universitaires de Grenoble.
  • SHKLOVSKI, V. (1991) “El arte como artificio”, en Todorov, T. (ed.), Teoría de la literatura de los formalistas rusos, México, Siglo XXI, 55-70.
  • TURNER, M. y FAUCONNIER, G. (2002) The Way We Think. Conceptual Blending and the Mind's Hidden Complexities, New York, Basic Books.
  • ZEKI, S. (2005) Visión interior. Una investigación sobre el arte y el cerebro, Madrid, Antonio Machado.
Data source: Dialnet