“Partly American!”Sarah Bernhardt’s Transnational Disability in the American Press (1915-1918)

  1. Ignacio Ramos-Gay 1
  1. 1 Universitat de València
    info

    Universitat de València

    Valencia, España

    ROR https://ror.org/043nxc105

Revista:
Atlantis: Revista de la Asociación Española de Estudios Anglo-Norteamericanos

ISSN: 0210-6124

Ano de publicación: 2018

Volume: 40

Número: 2

Páxinas: 63-80

Tipo: Artigo

DOI: 10.28914/ATLANTIS-2018-40.2.04 DIALNET GOOGLE SCHOLAR lock_openAcceso aberto editor

Outras publicacións en: Atlantis: Revista de la Asociación Española de Estudios Anglo-Norteamericanos

Obxectivos de Desenvolvemento Sustentable

Resumo

The aim of this paper is to analyze the representation of Sarah Bernhardt’s physical disability in the American press prior to and during her last tour in the United States (1915-1918), and how the amputation of her right leg ignited a series of allegories associating the actress with both French and American national identities. Bernhardt’s maimed physicality was rapidly construed as a metaphor of the mutilated French soldiers of the Great War and of a devastated France itself. However, as I will show, one of the prosthetic devices crafted by American manufacturers symbolically turned the tragedienne into “partly an American citizen” as well as into a token of modern western technology. Bernhardt’s artificial leg encapsulated a number of cultural, economic and national attributes linking therapy with American industrial capitalism, and her conceptualization as an American icon thanks to prosthetics reflects the use of non-normative bodily metaphors to encourage national belonging in the press.

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Información de financiamento

1 This research was supported by the MECD/Fulbright Visiting Scholar Program for Senior Researchers and Professors between March 1 and May 31, 2015.

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Fonte de datos: Dialnet