Indianos, exhibiciones etnológicas y freak show en el teatro francés de la Tercera República

  1. Ramos Gay, Ignacio 1
  1. 1 Universitat de València
    info

    Universitat de València

    Valencia, España

    ROR https://ror.org/043nxc105

Revista:
Thélème: Revista complutense de estudios franceses

ISSN: 1139-9368,  1989-8193

Año de publicación: 2017

Volumen: 32

Número: 1

Páginas: 95-108

Tipo: Artículo

DOI: 10.5209/THEL.52551 DIALNET GOOGLE SCHOLAR lock_openAcceso abierto editor

Otras publicaciones en: Thélème: Revista complutense de estudios franceses

Resumen

The aim of this article is to trace the parallelisms between the theatrical character of the “Indiano” and the aborigines exhibited in fair barracks during the beginnings of the Third Republic in France. Through a close reading of Eugène Labiche’s vaudeville, Le prix Martin (1876), I analyze the physical, moral and symbolic resemblances between the rastaquouère Hernandez and the natives featured in freak shows and other exhibitions of contemporary phénomènes. Such an approach will provide a critical perspective on the Parisian bourgeoisie that defined so much of itself through its rejection of foreign otherness.

Referencias bibliográficas

  • Bogdan, R., (1990) Freak Show. Presenting Human Oddities for Amusement and Profit. Chicago & London, University of Chicago Press.
  • Brioso Santos, H., (2001) “ ‘Trajisteis este animal de las Indias?’: el figurón, el indiano y americano en Guárdate del agua de Calderón”, in Vega García-Luengo, G. & I. Arellano Ayuso (dirs.), Calderón: innovación y legado. Nueva York, Peter Lang, pp. 33-51.
  • Brioso Santos, H., (1998) “La figura del indiano teatral en el Siglo de Oro español”, in Reverte, C. & M. de los Reyes (eds.), Actas del II Congreso Iberoamericano de Teatro. América y el teatro español del Siglo de Oro. Cádiz, Universidad, pp. 423-434.
  • Brunet, B., (2004) Le théâtre de boulevard. Paris, Nathan.
  • Coakley, J., (2012) Nationalism, Ethnicity and the State. Making & Breaking Nations. London, Sage.
  • Cook, J. W., (1996) “Of Men, Missing Links, and Nondescripts: The Strange Career of P. T. Barnum’s ‘What is it?’ Exhibition”, in Garland Thomson, R. (ed.), Freakery. Cultural Spectacles of the Extraordinary Body. New York and London, New York UP, pp 139-157.
  • Durbach, N., (2010) Spectacle of Deformity. Freak Shows and Modern British Culture. Berkeley, Los Angeles & London, University of California Press.
  • Fahy, T., (2006) Freak Shows and the Modern American Imagination. Constructing the Damaged Body from Willa Cather to Truman Capote. Basingstoke, Palgrave Macmillan.
  • Fielder L., (1993) Freaks. Myths and Images of the Secret Self. New York & London, Anchor Books.
  • Fielder L., (1996) Tyranny of the Normal. Essays on Bioethics, Theology & Myth. Boston, David R. Godine.
  • Garland Thomson, R., (1999) “Narratives of Deviance and Delight: Staring at Julia Pastrana, the ‘Extraordinary Lady’”, in Powell, T. (ed.), Beyond the Binary: Reconstructing Cultural Identity in a Multicultural Context. New Brunswick, NJ, Rutgers University Press, pp. 81-106.
  • Gobello, J., (2005) Blanqueo etimológico del lunfardo. Buenos Aires, Marcelo Héctor Oliveri editor.
  • Jollivet, G., (1927) Souvenirs de la vie de plaisir sous le Second Empire. Paris, Jules Tallandier.
  • Labiche, E., (1992 [1876]) Le prix Martin. H. Gidel. Ed. Labiche. Théâtre. Paris, Classiques Garnier. Vol. 2.
  • Lindfors, B., (1999) Africans on Stage. Studies in Ethnological Show Business. Bloomington & Indianapolis, Indiana UP.
  • Martínez Tolentino, J., (1991) El indiano en las comedias de Lope de Vega. Kassel, Reichenberger.
  • Meilhac, H. & L. Halévy, (1867) La vie parisienne. Paris, Michel Lévy.
  • Morel, A., (1857) Traité de dégénérescences physiques, intellectuelles et morales de l’espèce humaine. Paris, Baillière.
  • Pajot, S., (2003) De la femme à barbe à l’homme-canon. Phénomènes de cirque et de baraque foraine. Château d’Olonne, Orbestier.
  • Rothfels, N., (1996) “Aztecs, Aborigines, and Ape-People: Science and Freaks in Germany, 1850-1900”, in Garland Thomson, R. (ed.), Freakery. Cultural Spectacles of the Extraordinary Body. New York and London, New York University Press, pp. 158-172.
  • Scholz, S., (2013) “Medical Writing and the Scientific Gaze in the Nineteenth Century: The Case of the Elephant Man”, in Lembert-Heidenreich, A. & J. Mildorf (eds), The Writing Cure: Literature and Medicine in Context. Münster, LIT Verlag, pp. 77-93.
  • Smith, J., (2009) Charles Darwin and Victorian Visual Culture. Cambridge, Cambridge UP.
  • Strother, Z. S., (1999) “Display of the Body Hottentot”, in Lindfors, B. (ed.), Africans on Stage. Studies in Ethnological Show Business. Bloomington & Indianapolis, Indiana UP, pp. 1-61.
Fuente de los datos: Dialnet